Eros and Psyche
Eros and Psyche survives only inside Apuleius's Latin novel The Golden Ass, told there as a story-within-a-story. A mortal princess so beautiful people worship her over Aphrodite marries an unseen husband on the condition she never look at him; when she breaks the condition with a lamp, she loses him and must complete four impossible tasks set by his furious mother before the couple can be reunited and Psyche made a goddess herself.
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What Led To It
The tale has no attested Greek original: it survives only as a long story-within-a-story in Apuleius's 2nd-century-CE Latin novel The Golden Ass (also called the Metamorphoses), told by an old woman to comfort a kidnapped bride while the novel's transformed protagonist, a man turned into a donkey, listens in as an animal no one thinks to silence. Whether Apuleius invented the tale outright or reworked an older folk story is unresolved; either way, no earlier Greek version of it has survived, if one ever existed.
The Myth
Psyche, the youngest of a king's three daughters, is so beautiful that people begin traveling to admire her instead of worshipping Aphrodite, leaving the goddess's own altars neglected. Furious, Aphrodite sends Eros (Apuleius, writing in Latin, calls them Venus and Cupid) to make Psyche fall in love with the vilest man alive. An oracle, consulted separately by Psyche's father about why none of his daughters can find a husband, instead delivers a curse of its own: Psyche is fated to marry a monster no god can withstand, and must be left exposed on a mountain crag dressed for a funeral rather than a wedding. Her family carries out the oracle's order and abandons her there.
The West Wind carries Psyche gently down from the crag instead of leaving her to a monster, setting her in a hidden valley before a palace built by no human hands. Invisible servants attend to her every want, and each night an unseen husband comes to her bed, leaving before dawn and forbidding her, above everything else, from ever trying to see his face. Psyche is content until her two jealous sisters, brought to visit by the same wind, convince her that her husband must be the very monster the oracle described, and that she needs to kill him before he can devour her. That night, Psyche brings a lamp and a knife to bed, ready to strike - and instead finds Eros himself asleep beside her, the most beautiful being she has ever seen. Trembling, she leans in too close; a drop of hot oil falls from the lamp and burns him awake. Eros flees, telling her only that love cannot live where there is no trust.
Psyche searches the world for him and eventually falls into Aphrodite's hands directly, who sets her four tasks meant to be impossible. She must sort an enormous mixed heap of grains before nightfall (an army of ants, moved to pity, do it for her); gather wool from golden sheep vicious enough to kill (a river reed advises her to collect the wool caught in nearby brambles instead of approaching the sheep); fill a crystal jar with water from a Stygian stream guarded by dragons on an unclimbable cliff (Zeus's own eagle carries the jar up and back for her); and finally travel to the underworld itself to bring back a portion of Persephone's beauty sealed in a box, with strict instructions from a talking tower not to open it along the way.
Psyche completes every task the same way: by receiving help she has not earned on her own. But she fails the final instruction on her own initiative, opening the box out of curiosity once she is almost home, hoping to use a little of the beauty herself - and falls instantly into a deathlike sleep, undone by a smoke without color that the box actually held. Eros, healed and free of his mother's confinement, finds her, wakes her with a harmless prick of his own arrow, and pleads directly with Zeus for their marriage. Zeus grants it and has Psyche brought to Olympus and given ambrosia to drink, making her immortal in her own right rather than only by marriage. The gods attend the wedding Aphrodite herself could not prevent, and the couple's daughter is named Voluptas - Pleasure.
What Followed
Psyche's name, meaning "soul" or "breath" in Greek, made the story a natural subject for later allegorical reading: the soul (Psyche), tested and purified through suffering before it can be joined permanently with Love (Eros) and made divine. This allegorical reading is a later addition to the story rather than something Apuleius states outright, but it became the dominant way the story was read from antiquity onward and shaped its enormous popularity in later art, from Roman sarcophagi to Renaissance painting.
Why did Aphrodite want to punish Psyche?
People had begun neglecting Aphrodite's own temples to travel and admire Psyche's beauty instead, leaving the goddess's altars cold. Furious at being upstaged by a mortal, Aphrodite sent her son Eros to make Psyche fall in love with the most degraded man alive, a plan Eros never carries out because he falls in love with Psyche himself instead.
Apuleius, Metamorphoses 4.28-31
Why was Psyche exposed on a mountain in the first place?
An oracle, consulted by her father about why none of his three daughters could find a husband, answered instead that Psyche was fated to marry a monster no god could withstand, and ordered her left on a mountain crag dressed for a funeral. Her family, however reluctantly, carried the order out.
Apuleius, Metamorphoses 4.32-35
What happened when Psyche looked at her husband with the lamp?
Convinced by her jealous sisters that her unseen husband must be the monster the oracle had described, Psyche brought a lamp and a knife to bed intending to kill him, and instead found Eros himself sleeping beside her. Leaning in too close, she let a drop of hot oil fall from the lamp onto him; he woke, burned, and fled, telling her only that love cannot survive without trust.
Apuleius, Metamorphoses 5.22-23
What were the four tasks Aphrodite set for Psyche?
Sort an enormous heap of mixed grains before nightfall, gather wool from vicious golden sheep, fill a crystal jar with water from a dragon-guarded Stygian stream on an unclimbable cliff, and travel to the underworld to bring back a portion of Persephone's beauty sealed in a box. Psyche completes all four only with unearned help: ants, a river reed, Zeus's eagle, and a talking tower's advice.
Apuleius, Metamorphoses 6.10-21
How does the story end?
Psyche opens the underworld box out of curiosity despite being warned not to, and falls into a deathlike sleep. Eros, healed and free again, finds and wakes her, then pleads with Zeus for their marriage. Zeus grants it, has Psyche made immortal by drinking ambrosia, and the gods attend a wedding Aphrodite could no longer block; the couple's daughter is named Voluptas, Pleasure.
Apuleius, Metamorphoses 6.23-24
Why would people neglecting Aphrodite's temples to admire a mortal provoke this much anger from her?
Aphrodite's claim on worship went back to her own origin: Hesiod's Theogony has her carried by the sea directly to Cyprus at her birth, making the island - and by extension her general claim to reverence - older than any mortal beauty could challenge. Apuleius's story presupposes exactly this kind of long-established, jealously guarded divine honor.
Hesiod, Theogony 188-206
Where Accounts Differ
- whether Apuleius invented the tale or reworked an older, now-lost story
- No Greek original of this story survives, and none is independently attested; it is known only from Apuleius's 2nd-century-CE Latin novel. This page uses the Greek names Eros, Aphrodite, Zeus and Persephone for consistency with the rest of the site; Apuleius's own Latin calls them Cupid, Venus, Jupiter and Proserpina. Hesiod's Theogony is cited for Aphrodite's own long-established claim to worship, which this story's premise presupposes; it does not narrate Psyche's story itself, which survives only in Apuleius.
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Mythology
Figures In This Myth
Related Terms
Referenced By
Sources
- Apuleius, Metamorphoses 4.28-31
- Apuleius, Metamorphoses 4.32-35
- Apuleius, Metamorphoses 5.22-23
- Apuleius, Metamorphoses 6.10-21
- Apuleius, Metamorphoses 6.23-24
- Hesiod, Theogony 188-206
- Timothy Gantz, Early Greek Myth (1993)